Expandeurs Microtonals

Expandeurs où l'on peut accorder individuellement chacune des 12 notes




Musique Microtonale

Accordéons Microtonals

Contrôleurs à vent MIDI Microtonals

Expandeurs Microtonales → vous êtes ICI

Guitares Microtonales

M.A.O. Microtonale

Pianos Microtonals

Saz

Synthés Microtonals

Instruments à Vent Microtonals

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KORG

X5 DR (arabic, pélog, slendro, etc...+ une mémoire utilisateur: +/-99 cents)



KETRON

XD 3



ROLAND

XV-2020 800

XV-5050 (rack 1 unité) 1 200

XV-5080 (rack 2 unités) 2 300



KURZWEIL

K 2000 R



YAMAHA

VL70-m (+/-64 cents)




Échelles ou modes en cents:


Arcane 17 de Nicolas ESCOT:
+2, +7, +6, +5, +10, 0, +5, +4, +3, +8, +7, +12


Wendy CARLOS Harmonic:
0, +5, +4, -2, -14, -29, -49, +2, +41, +6, -31, -12


Wendy CARLOS Super Just Intonation:
0, +5, +4, +16, -14, -2, -49, +2, +41, -16, -31, -12


Kraig GRADY Centaur (y compris Mixolydien 2+ limite 7):
0, -16, +4, -33, -14, -2, -17, +2, -35, -16, -31, -12


Mayumi REINHARD 13 limit:
0, +28, -61, +59, +54, +63, +37, +46, +41, +11, +72, +83


David CANRIGHT 13 limit:
0, +39, +4, -33, -14, -2, -49, +2, +41, -16, -31, -51


Big Gulp:
0, -47, +4, -33, -14, -29, -49, +2, -45, +6, -31, -12


Clem FORTUNA:
0, -16, +31, -33, +18, -29, +17, +29, -18, +33, -31, +16


Johnny KLONARIS:
0, +5, +4, -2, -14, -29, -49, +2, -27, -59, -31, -12


Kami ROUSSEAU:
0, -16, +4, -33, +71, -2, -17, +2, -35, +69, -4, -19


Left Pistol:
0, -8, +12, -96, -14, -2, -10, +2, +14, -16, -94, -12


Mac CLAIN:
0, -8, +4, -25, -14, -92, -10, +2, -27, +6, +88, +59


Herman MILLER Starling:
0, -29, -18, +16, -14, -2, -31, +2, +14, -16, -45, -33


Margo SCHULTER Neo-Gothic:
0, +33, +4, +37, +18, -2, +21, +2, +35, +6, -84, +19


Petr PARIZEK In the Epimoric World:
0, +39, +67, +16, -14, -2, -17, +2, +14, -16, -31, -51


Palace:
0, -1, +4, -69, +35, -2, +17, +2, -24, -47, -67, -82


Kora (80√2???):
0, --- , 0, --- , -15, 0, --- , 0, --- , 0 , --- , -15


Bombarde de Basse-Bretagne:
0, --- , -18, --- , -53, -2, ---, +2, ---, +33, ---, -12


Nombre d'Or (x 1.618):
0, -1, ---, ---, -33, -34, ---, +34, +33, ---, ---, +1


Aulos (SCHLESINGER):
0, -37, -72, -33, +18, -2, -17, -29, -35, -36, -31, -19


Das wohltemperirte Klavier (KELLNER):
0, +5, +4, -1, +8, -2, +7, +7, +2, +6, +1, +10


Mésotonique en RÉ (y compris blues en SI♭!):
+7, -17, 0, +17, -7, +10, -14, +3, -21, -3, +14, -10


Duodène de DO (ELLIS):
0, +12, +4, +16, -14, -2, -10, +2, +14, -16, +18, -12


7√2 (et 5√de 2):
0, 0, -29, +40, -57, +14, -20, -14, +20, -43, +60, -71


8√2 (y compris Agmon Diatonic DS1):
+50, --- , 0, --- , -50, 0 --- , -50, 0, +50, --- , 0


9√2 (y compris 9 Tone Augmented):
0, +33, --- , -33, 0, +33, --- , -33, 0, +33, --- , -33


10√2 (y compris SETHARES Neutral):
+80, --- , 0, --- , -80, -60, -40, -20, 0, +20, +40, +60


11√2 (y compris SCHULTER Hexatonic):
0, +9, +18, +27, +36, +45, +54, --- , -37, -28, -19, -10


7/4 et 13/8:
+61, -32, +99, -1, -20, --- , -26, +80, +5, --- , +37, +40


9/8:
0, --- , +4, --- , +8, --- , +12, --- , +16, --- , +20


Mohajira (Jacques DUDON):
0, --- , +9, --- , -41, -2, --- , +17, --- , -42, --- , -39


Éolien limite 19 (Jacques DUDON):
-2 ,--- ,-2, --- ,+2, -4, --- , -4, --- , 0, --- , +4


Phrygien 4- limite 19 (Jacques DUDON):
-4, --- , -4, --- , 0, -6, --- , -2, -14, --- , --- , +2


Heinz BOHLEN 8 steps in the octave:
0, +82, --- , +16, +35, +83, --- , +65, +84, --- , +18, ---


4 slendros (3.3.3.7.7):
0, --- , +4, -60,--- , -29,--- , +2, -62, --- , -31, +73


Gene Ward SMITH Orwell (84√2):
0, +5, +71, --- , +29, +43, --- , 0, +14, +71, --- , -14


Gene Ward SMITH Star (version 46√2):
0, -22, --- , +3, -9, --- , -26, +4, --- , -13, -35, ---


Agmon Diatonic DS3 (16√2):
0, +50, --- , 0, +50, +25, --- , -25, +25, +75, --- , +25


Octatonic (16√2):
0, -25, --- , 0, -25, --- , 0, -25, --- , 0, -25, ---


Octatonic (28√2):
0, -14, --- , 0, -14, --- , 0, -14, --- , 0, -14, ---


Octatonic (44√2):
0, +9, --- , 0, +9, --- , 0, +9, --- , 0, +9, ---


Paul ERLICH Symmetrical (22√2):
0, +9, +18, +27, +36, --- , 0, +9, +18, +27, +36


Paul ERLICH Pentachordal (22√2):
0, +9, +18, +27, +91, --- , 0, +9, +18, +27, +63


John CHALMERS (13√2):
0, -7, +77, --- , +62, +55, --- , +39, +33, --- , +17, ---


Quasi gamme par tons (14√2):
0, --- , -29, --- , +29, --- ,0 , --- , -29, --- , +29, ---


Blues pentadecaphonic (15√2):
+20, --- , --- , +40, --- , 0, --- , -40, -60, --- , --- , -40


Pelog:
0, +22, --- , -29, --- , --- , -29, -23, -15, +47, --- , ---


Tritave B-P Lambda:
0, +19, +67, +2, +35, +69, -17, +2, --- , -16, +18, --- (+ 1 octave)


Tritave B-P Gamma:
0, +33, +67, --- , +35, +69, -17, +2, --- , -16, +18, +65 (+ 1 octave)


Tritave B-P Jb:
0, --- , +67, +2, +35, +69, -17, +2, --- , -16, +18, +65 (+ 1 octave)


Tritave B-P Gb:
0, +19, +67, +2, +35, +69, -17, +37, -98, --- , +18, --- (+ 1 octave)


Cycle de 14/9 (Paul RAPOPORT):
0, --- , +25 , +30, +35, --- , --- , -40, -35, -30, --- , -5




Il n'y a pas que la musique dans la vie


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